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“Nay Varanbhat Loncha Kon Nay Koncha” (NVLKNK) has garnered significant attention since the release of its trailer, particularly following a recent letter from Rekha Sharma, the Chief of the National Commission For Women (NCW), addressed to the Ministry of Information and Broadcasting. In her letter, Sharma expressed concerns about the “open circulation of sexually explicit content involving minors on social media platforms,” citing the film’s trailer as an example of content that portrays sexually explicit material and objectionable depictions of women and minors.

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This crime-drama is based on the late Jayant Pawar’s story, “Varanbhatloncha Ni Kon Nay Koncha,” which revolves around the lives of two young boys from the chawls of Mumbai who venture into the world of crime. Following the murder of his gangster father, young Digya (Prem Dharmadhikari) aspires to follow in his footsteps and seeks vengeance against his father’s killer.
Accompanying him in his endeavors is his friend Iliyas (Varad Nagvekar). Like typical teenagers, they are in the process of discovering the complexities of the human body and behavior, with limited guidance, except for Digya’s grandmother (Chhaya Kadam), who is also tasked with managing the household. Growing up in challenging financial and social conditions, there seems to be little hope for these two boys, especially as they choose the path of crime, a path that inevitably leads to either prison or death.
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Familiar Themes and Trilogy:
The film incorporates echoes of Mahesh Manjrekar’s previous works such as “Vaastav” (1999) and “Lalbaug Parel” (2010), which also explored the repercussions of the closure of Mumbai’s mills on the mill workers’ families and the subsequent involvement of the younger generation in criminal activities. Manjrekar himself has acknowledged that these three films form a thematic trilogy.
Content and Gore:
While NVLKNK primarily centers on a revenge-driven crime narrative, it is marred by excessive titillation and gore. Although these elements are not entirely out of place in the film, they tend to become overwhelming. To his credit, Manjrekar attempts to downplay the violence and explicit scenes by emphasizing the reasons behind them. Nevertheless, the film frequently veers into excess.
Narrative Style:
NVLKNK adopts a Quentin Tarantino-esque approach, not only in terms of content and violence but also in its non-linear narrative treatment. However, this approach often reveals more than it conceals, resulting in a somewhat predictable storyline.
Performance Highlights:
The film’s strengths lie in its performances. Youngster Prem delivers a menacing portrayal of a cold-blooded and determined character aiming to ascend to the top of the criminal world. Varad, in his role as the loyal sidekick, is convincing. Among the seasoned actors, Chhaya Kadam and Shashank Shende shine with their brilliant performances, while supporting actors like Rohit Haldikar, Umesh Jagtap, Kashmera Shah, Ashwini Kulkarni, and Ganesh Yadav contribute effectively to advancing the narrative.
Conclusion:
Despite the intricate layers of storytelling in NVLKNK, the explicit content, whether integral to the plot or not, often overshadows the core themes of revenge and crime. This film is unequivocally unsuitable for audiences under the age of 18. For adult viewers, NVLKNK is a film that can be watched at one’s discretion, bearing in mind its explicit and violent content.